35x50cm, Limited edition silkscreen prints on 190 and 300 grams paper.
Generative background pattern and custom raster for shading the 3D model.

13Apr18 | Fighter - print

35x50cm, Limited edition silkscreen print on 190 and 300 grams paper, using 120TPI gauze.

13Apr18 | Fighter - print

35x50cm, Limited edition silkscreen print on 190 and 300 grams paper, using 120TPI gauze.

11May18 | shading_09_fighter

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13Apr18 | Fighter - print

35x50cm, Limited edition silkscreen print on 190 and 300 grams paper, using 120TPI gauze.

13Apr18 | Fighter - print

35x50cm, Limited edition silkscreen print on 190 and 300 grams paper, using 120TPI gauze.

11May18 | Fighter - print

32x24cm, silkscreen print - detail

Printing sessions generously hosted at tind‘s studio in Athens.
Limited number of prints available for purchase.

Running time: 1’49″

How do you feel about spam?

218 spam emails were received over the period of one month. The raw text is printed on screen in sync with the sonification of the same data, a simple conversion of the character’s ASCII codes into audio samples at 44100Khz. In red are the last 1470 characters that are audible on each frame.

27Mar18 | spam_01

27Mar18 | spam_02

Running time: 2’43

Mouse movement recorded over five typical working days in a Visual Effects Studio. The sped up visualization of the mouse trajectory is in sync with the sonification of the same data, by re-purposing the X and Y coordinates as Left and Right audio signals.

Captured at two HD monitors, using a digitizer tablet, at 30fps and reproduced 1470 times faster to match high quality 44.1Khz audio.

2nd week of January 2018

19Jan18 | 1515714748316

19Jan18 | 1515628818606

19Jan18 | 1515540148787

19Jan18 | 1515458097037

19Jan18 | 1515799528642

15x15cm laser cut, wooden panel, acrylics

The two painted panels are scanned and brought into the computer. The same 90 particles fall and collide with the bright brushstrokes of each painting, creating the two variations. The particle trails are laser etched on the original painting.

Scan Cosmo Wendman
Laser  Gabriel Pulecio

20Nov17 | waterfall 01

15x15cm laser cut, wooden panel, acrylics

20Nov17 | waterfall 02

15x15cm laser cut, wooden panel, acrylics

20Nov17 | waterfalls

15x15cm laser cut, wooden panel, acrylics

Running time: 0’40

What does the fingerprint of your daily commute look and sound like?

Personal geo-location data were recorded over a period of 3.5 years (May 15 – Jan 19). The  80,000 collected points are visualized and converted into sound to reveal the patterns of my daily life. The data are playing back at a rate of one day per rendered frame and the longitude and latitude coordinates are mapped to the two audio channels.

22Jan19 | geolocation

Detail of the path recorder over New York City

Low polygonal model rendered with custom line shading algorithm in houdini, exported as vectors and laser etched on wood panel panted with acrylics.

Laser @ NYC Resistor

14Feb17 | Rhino

40x30cm laser cut, wooden panel, acrylics

14Feb17 | Rhino detail

40x30cm laser cut, wooden panel, acrylics

Low polygonal model rendered with custom line shading algorithm in houdini, exported as vectors and laser etched on wood panel panted with acrylics.

Laser @ NYC Resistor

14Feb17 | Turtle

40x30cm laser cut, wooden panel, acrylics

14Feb17 | Turtle detail

40x30cm laser cut, wooden panel, acrylics

square 01

The painted with acrylics wood panel came first, which was then scanned and brought into houdini. The painting’s shape was used as an initial state for the differential Line Growth procedure. On each iteration the points are relaxed by distancing themselves from their neighbors. The whole line is also re-sampled on each iteration to continuously increase its definition. One of the frames from the process was exported as a vector file and burnt with a laser cutter on the 15x15cm wood panel. The total length of the line is approximately 12 meters.

13Nov16 | Square 01

15x15cm laser cut, wooden panel, acrylics

13Nov16 | Square 01

15x15cm laser cut, wooden panel, acrylics

The path of the laser cutter.

square 02

The painted with acrylics wood panel came first, which was then scanned and brought into houdini. Circles were scattered on the painted surface around on the brightest area. On an iterative process, the painting’s intensity determined by how much each individual point would be pushed towards it’s normal vector and allow the shapes to flow within the painting.

13Nov16 | Square 02

15x15cm laser cut, wooden panel, acrylics

13Nov16 | Square 02

15x15cm laser cut, wooden panel, acrylics

Reduced 3D model rendered with custom line shading algorithm in houdini, exported as vectors and laser etched on wood panel panted with acrylics.

Scan Cosmo Wendman
Laser  Gabriel Pulecio

13Oct16 | Pieta

30x40cm laser cut, wooden panel, acrylics

2Oct16 | Pieta

30x40cm laser cut, wooden panel, acrylics

2Oct16 | Pieta

30x40cm laser cut, wooden panel, acrylics

3D model rendered in vectors and laser cut on a painted wood panel.

Laser  Gabriel Pulecio

2Oct16 | Warrior

30x60cm laser cut, wooden panel, acrylics

2Oct16 | Warrior

30x60cm laser cut, wooden panel, acrylics

2Oct16 | Warrior

30x60cm laser cut, wooden panel, acrylics